Dramatization depicting the events surrounding Adolf Hitler's last weeks in and around his underground bunker in Berlin before and during the battle for the city.
Bunker, The
Coming Out
Philipp, a closeted teacher, is dating a female colleague to keep up appearances. One night he stumbles into a gay bar and falls for a man. Transformed by this love, he is no longer afraid to face up to who he is.
Cat City
In the year 80 AMM (After Mickey Mouse) on planet X the crime-syndicated Cats try to erase the Mouse-population once and for all. A scientist of the mice, prof. Fushimishi seems to have found the weapon against the threat - so Intermouse calls its best (albeit retired) agent, Nick...
After Hours
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett ventures downtown for a hookup with a mystery woman.
Stielke, Heinz, Fifteen…
Everything changes for fifteen-year-old Heinz Stielke, a fanatical member of the Hitler Youth, when he learns that his father, who died as a war hero, was actually Jewish. Heinz is forced to leave school, loses his friends, and worst of all, his mother dies in a bombing raid. A...
State of Things, The
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.
Tokyo-Ga
German director Wim Wenders made this documentary in which he tries to explore the Tokyo that was depicted in the films of Yasujiro Ozu. When Wenders visits Tokyo for the first time, he finds a very different city, one with a booming fascination with technology that often clashes with...
Scanners
After a man with extraordinary—and frighteningly destructive—telepathic abilities is nabbed by agents from a mysterious rogue corporation, he discovers he is far from the only possessor of such strange powers, and that some of the other “scanners” have their minds set on world domination, while others are trying to...
Room 666
During the 1982 Cannes Film Festival, Wenders asks a number of global film directors to, one at a time, go into a hotel room, turn on the camera and answer a simple question: "What is the future of cinema?"
Reverse Angle: New York, March 1982
Wim Wenders's atmospheric testimony about the problems he encountered while working on HAMMET(1982) with Francis Ford Coppola, and the differences between the film-making process in Europe and the States.
